These
courses will be
offered in Spring
2007. If you have
questions about
any of our courses
please contact
the instructor
listed or any
Women's Studies
Council faculty.
WS 201: Introduction
to Women's Studies
An interdisciplinary, historical,
and global view of women that
appreciates their diversity
including class, culture,
age, race, and sexual preference.
Includes the study of the
concept of patriarchy and
women's responses to intellectual
and social exclusion. May
be taken for General Education
credit in the Arts and Humanities
or in the Social Sciences,
but not both.
WS 201-01 Patricia Pedroza
TR 9:30-10:50
WS 201-02 Ali Lichtenstein
MW 12:00-1:20
WS 201-04 Amy Chapman
M 6:30-9:20
WS 201-05 Sara Hottinger
TR 3:00-4:20
WS 201-06 Sara Hottinger
TR 4:30-5:50
Sample
syllabus (.doc)
WS 290-01: Sexuality
and Spirituality Patricia
Pedroza TR 11:00-12:20
What is a human being?
Simple question, complex
answers. What does the epistemology
of sexuality mean? Why has
sexuality been the most
polemic category and social
construction for men and
women in different periods
of history and cultures?
We will explore these questions.
Prerequisite:
WS 201.
WS
290-02: Abortion Elizabeth
Pacilio TR 9:30-10:50
This course will examine
the constitutional history,
various religious perspectives,
and social issues informing
the status of abortion in
the United States. The course
will explore the concepts
of liberty, privacy, oppression,
life, death, and God. Students
will come to appreciate
why resistance to reproductive
choice exists and persists,
and will explore the concept
of a woman and her fertilized
egg as potential legal adversaries.
Can one be a feminist and
oppose legal access to abortion?
Students will be required
to reconcile their opinions
regarding abortion with
the feminist goal of reproductive
autonomy .
WS
290-03: Gender Ali
Lichtenstein TR 2:00-3:20
This course examines the
construction and categories
of gender as personal, social,
political, economic, sexual,
and cultural markers in
the U.S. and in cultures
throughout the world. It
investigates cross-cultural
variations of gender and
assumptions about gender
and sexuality as well as
the limitations of binary
categorization.
WS 301-01: Feminist
Theory Karen
Honeycutt TR 1:30-2:50
The study of historical
and critical foundations
and current principles of
feminist theory that can
be applied to other disciplines.
Prerequisite:
WS 201.
WS 495: Seminar Sara
Hottinger and Anne-Marie
Mallon WF 12:00-1:20
Exploration
of major issues in Women's
Studies under the direction
of the Women's Studies Program
faculty. Seminar content
contingent on student interest
and faculty expertise.
Prerequisite: WS
301
THE FOLLOWING COURSES
ARE APPROVED ELECTIVES
ESEC 220-01: Women
and Education Janaki
Tschannerl T 4:30-7:30
An exploration of women's
quest for equal educational
opportunities as students
and teachers. Historical
and current issues are analyzed.
Biographies, literature,
and texts are researched.
ENG 203-01: Women's
Writing Ali Lichtenstein
TR 12:00-1:40
Focuses
on effective rhetorical
strategies for communicating
women's experiences, opinions,
and knowledge, as well as
personal, political, and
feminist issues.
Prerequisite:
ENG 101
ENG
290-02: Women's Roles,
Women's Voices Ann
Marie Mallon TR 10:00-11:40
We will read fiction,
poetry and drama by women
about women in their many
roles, assigned and chosen.
The texts will be multicultural,
mostly modern, always challenging
as we examine women's roles
from multiple perspectives.
FILM
352-01: Int'l Women Filmmakers Teresa
Podlesney T 2:00-5:40
Women have been making
movies from the beginning
of film history. Some, like
Alice Guy Blaché, worked
in the industry, while others,
like Germaine Dulac, worked
at more personal, artistic
expression. This course
presents an international
overview of films directed
by women from the 1940s
to the present, including
films by Maya Deren, Ida
Lupino, Ulrike Ottinger,
Agnes Varda, Su Friedrich,
Mira Nair, Maria Novaro,
Clara Law, Kathryn Bigelow,
Marzieh Meshkini, Pratibha
Parmar, Chantal Akerman,
Monika Treut and others.
We will look at narrative
fiction films, documentaries,
experimental films, and
at films that defy the separation
of these categories. Each
filmmaker will be situated
in the historical context
of her country's filmmaking
traditions. Attention to
the recurrent theme of the
quest in these films will
allow us to develop a critical
understanding of the existence
of international women's
concerns, and the possibilities
and permutations of a women's
aesthetic, in an increasingly
transnational world.
HIST
269-01: Women in Modern
America Julia Sandy-Bailey
MW 1:30-2:50 Course describes
women from the late 19th
century to today. Themes
include women and power,
gender division of labor,
women and family, life
cycles. Topics include women
in unions, women's suffrage
fights, women in world
wars and in modern rights
movements.
MU
115-01: Women in Music Gladys
Johnsen MW 12:00-1:20
Study of women composers,
teachers, performers, and
patrons. Includes a chronological
survey of the issues that
influence women's musical
contributions. Open to Music
majors and non-majors.
SOC-345:
Sociology of Families Peggy
Walsh TR 9:30-10:50
This course examines various
family forms, with primary
emphasis on U.S. families.
Includes the history and
functions of families, theoretical
and methodological approaches
to studying families, intimate
relationships, parenting
and socialization of children,
and family disruption.
Prerequisite:
SOC 101 or permission
of instructor. |